Vintila Horia: la recepción clásica como modo de creación de sentido en "Dios ha nacido en el exilio".
Vintilă Horia (1915-1992) is a Romanian writer and romanist. Convicted by the communist régime of his country, he lived most of his life in exile, in Italy, Argentina, and France. He eventually settled in Spain from 1953. His production consists of articles, novels, and essays, written in Romanian,...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Murcia |
| Repositorio: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/112190 |
| Acceso en línea: | https://doi.org/10.6018/ER.463041 http://hdl.handle.net/10201/112190 |
| Access Level: | acceso abierto |
| Palabra clave: | Vintila Horia Classical reception Objetive correlative Exile Religion Primitive christianity Recepción clásica Correlato objetivo Exilio Religión Cristianismo primitivo CDU::8- Lingüística y literatura |
| Sumario: | Vintilă Horia (1915-1992) is a Romanian writer and romanist. Convicted by the communist régime of his country, he lived most of his life in exile, in Italy, Argentina, and France. He eventually settled in Spain from 1953. His production consists of articles, novels, and essays, written in Romanian, French, and Spanish. Ideologically, he was conservative and Christian. He develops two core subject-matters: exile and intellectual dissent. In this paper il will be analysed the creative use of the Classical reception for expressing these two motives. Several of his novels portray historical characters who represent the author himself: for instance, God was born in exile (1960) tells the story of Ovid’s exile and his conversion to the Christian faith. It will be examined the use of Classical sources by Horia and the creative assimilation of these materials as a correlative objective for creating meaning |
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