La estética del algoritmo en la producción artística de Elena Asins
[EN] Considered a pioneer since 1967 in computer-generated art, Elena Asins s research in computer science and semiotics gives way to an artistic work of exact aesthetics, mathematics and algorithm, using progressive and generative forms based on the concept of scale, three-dimensionality and sequen...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/192332 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/192332 |
| Access Level: | acceso abierto |
| Palabra clave: | Digital art Algorithm Semiology Iconography Arte digital Algoritmo Semiología Iconografía |
| Sumario: | [EN] Considered a pioneer since 1967 in computer-generated art, Elena Asins s research in computer science and semiotics gives way to an artistic work of exact aesthetics, mathematics and algorithm, using progressive and generative forms based on the concept of scale, three-dimensionality and sequence. An artistic work that by the very influence of the digital medium, is configured as a carrier of an indissoluble set of signifiers and meanings. A textual support open to multiple readings where the value of the sign and the concept of intertextuality define its plastic proposal. |
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