La presencia escénica barroca de Andrés de Claramonte a partir de las bases de datos Manos y CATCOM
[EN]Mining the wealth of new information about manuscript preparation and circulation in the Manos database (Manos.net) and about the authorship of theater texts in the CATCOM (catcom.uv.es) portal, this article proposes a comprehensive assessment of the literary career of Andrés de Claramonte. Data...
| Author: | |
|---|---|
| Format: | article |
| Status: | Published version |
| Publication Date: | 2019 |
| Country: | España |
| Institution: | Universidad de Salamanca (USAL) |
| Repository: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/142901 |
| Online Access: | http://hdl.handle.net/10366/142901 |
| Access Level: | Open access |
| Keyword: | Siglo de Oro Teatro Manuscritos Representaciones Humanidades digitales Claramonte y Corroy, Andrés de 6203.10 Teatro 5506.13 Historia de la Literatura |
| Summary: | [EN]Mining the wealth of new information about manuscript preparation and circulation in the Manos database (Manos.net) and about the authorship of theater texts in the CATCOM (catcom.uv.es) portal, this article proposes a comprehensive assessment of the literary career of Andrés de Claramonte. Data analysis rooted in the Manos and CATCOM sites allows for a thorough reconsideration of the staging and manuscript circulation of Claramonte’s plays during the seventeenth century. Three points of inquiry underpin my examination. First, I search for evidence of autograph manuscripts by Claramonte. In turn, I survey the indications of his success writing comedias and autos sacramentales, where the professional relationships he established with several theatrical companies during the between 1617 and his death in 1626 are of particular interest. Finally, I consider Claramonte’s enduring popular appear after his death. |
|---|