The law in Euripides' Medea

This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to two distinct aspects in the development of Greek Law. The text seems to appeal to: a) archaic law when the oath appears adequate (or sufficient) to establish wedlock, and b) classical law with respec...

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Detalhes bibliográficos
Autor: Giombini, Stefania
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2018
País:España
Recursos:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
Repositorio:Recercat. Dipósit de la Recerca de Catalunya
OAI Identifier:oai:recercat.cat:10256/15935
Acesso em linha:http://hdl.handle.net/10256/15935
Access Level:acceso abierto
Palavra-chave:Dret grec
Law, Greek
Eurípides, aproximadament 480 aC-406 aC
Medea (Personatge mitològic)
Descrição
Resumo:This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to two distinct aspects in the development of Greek Law. The text seems to appeal to: a) archaic law when the oath appears adequate (or sufficient) to establish wedlock, and b) classical law with respect to other aspects of familial jurisprudence. I argue that Euripides has intentionally contrasted these legal perspectives as part of a larger contrasting narrative. Euripides begins by introducing the essentials features of the myth of Medea in terms of its archaic context. In the latter half, he then in turn contrasts this narrative with contemporary views, and thus offers a critical reflection upon his own culture and society. These contrasting narratives are further supported by highlightening an important transition in the text, which focuses on Themis and Dike and the importance of laws