The law in Euripides' Medea
This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to two distinct aspects in the development of Greek Law. The text seems to appeal to: a) archaic law when the oath appears adequate (or sufficient) to establish wedlock, and b) classical law with respec...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/15935 |
| Acesso em linha: | http://hdl.handle.net/10256/15935 |
| Access Level: | acceso abierto |
| Palavra-chave: | Dret grec Law, Greek Eurípides, aproximadament 480 aC-406 aC Medea (Personatge mitològic) |
| Resumo: | This paper investigates appeals to law in Euripides’ Medea, dramatic elements which seem to point to two distinct aspects in the development of Greek Law. The text seems to appeal to: a) archaic law when the oath appears adequate (or sufficient) to establish wedlock, and b) classical law with respect to other aspects of familial jurisprudence. I argue that Euripides has intentionally contrasted these legal perspectives as part of a larger contrasting narrative. Euripides begins by introducing the essentials features of the myth of Medea in terms of its archaic context. In the latter half, he then in turn contrasts this narrative with contemporary views, and thus offers a critical reflection upon his own culture and society. These contrasting narratives are further supported by highlightening an important transition in the text, which focuses on Themis and Dike and the importance of laws |
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