¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs?
The critical reception of Carla Simón's Alcarràs has served to speak of the fashion of neo-rurality and the way in which the filmmaker used methods close to neo-realism. The common places detract from the stylistic work of the film and you have to ask yourself what we are talking about when we...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/25965 |
| Acceso en línea: | http://hdl.handle.net/10256/25965 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema d'autor Auteur theory (Motion pictures) Realisme en la cinematografia Realism in motion pictures Directores i productores cinematogràfiques Women motion picture producers and directors Pagesia Peasantry |
| id |
ES_a50bd1dc3793c69da7eb96eec9b15bf9 |
|---|---|
| oai_identifier_str |
oai:recercat.cat:10256/25965 |
| network_acronym_str |
ES |
| network_name_str |
España |
| repository_id_str |
|
| dc.title.none.fl_str_mv |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| title |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| spellingShingle |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? Quintana, Àngel Cinema d'autor Auteur theory (Motion pictures) Realisme en la cinematografia Realism in motion pictures Directores i productores cinematogràfiques Women motion picture producers and directors Pagesia Peasantry |
| title_short |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| title_full |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| title_fullStr |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| title_full_unstemmed |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| title_sort |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? |
| dc.creator.none.fl_str_mv |
Quintana, Àngel |
| author |
Quintana, Àngel |
| author_facet |
Quintana, Àngel |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Cinema d'autor Auteur theory (Motion pictures) Realisme en la cinematografia Realism in motion pictures Directores i productores cinematogràfiques Women motion picture producers and directors Pagesia Peasantry |
| topic |
Cinema d'autor Auteur theory (Motion pictures) Realisme en la cinematografia Realism in motion pictures Directores i productores cinematogràfiques Women motion picture producers and directors Pagesia Peasantry |
| description |
The critical reception of Carla Simón's Alcarràs has served to speak of the fashion of neo-rurality and the way in which the filmmaker used methods close to neo-realism. The common places detract from the stylistic work of the film and you have to ask yourself what we are talking about when we talk about both neo-rurality and neo-realism. To answer these questions, the article goes on a historical journey through certain forms of realism in cinema and its projection in the vision of the field in order to discover the latent heritage that these theories have left in Alcarràs. The tour starts from André Antoine's adaptation of Émile Zola's La terre (1921). It continues with the work that Georges Rouquier does between fiction and reality in Farrebique (1946), the portrait of family life on a farm in Aveyron. Finally, we analyze the debate about what it means to film the reality that arose at the beginning of Italian neorealism. The historical tour makes it possible to analyze Carla Simón's working methods, to question her style and ultimately to reflect on the links between postmodernity and neo-rurality |
| publishDate |
2024 |
| dc.date.none.fl_str_mv |
2024 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion peer reviewed |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://hdl.handle.net/10256/25965 http://hdl.handle.net/10256/25965 |
| url |
http://hdl.handle.net/10256/25965 |
| dc.language.none.fl_str_mv |
Catalán |
| language_invalid_str_mv |
Catalán |
| dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/doi/10.4000/12paf info:eu-repo/semantics/altIdentifier/issn/1760-6659 info:eu-repo/semantics/altIdentifier/eissn/ |
| dc.rights.none.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Lettres Sorbone Université |
| publisher.none.fl_str_mv |
Lettres Sorbone Université |
| dc.source.none.fl_str_mv |
Catalonia, 2024, vol. 34 (Première Semestre) Articles publicats (D-H) Quintana, Àngel 2024 ¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? Catalonia 34 Première Semest reponame:Recercat. Dipósit de la Recerca de Catalunya instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| instname_str |
Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| reponame_str |
Recercat. Dipósit de la Recerca de Catalunya |
| collection |
Recercat. Dipósit de la Recerca de Catalunya |
| repository.name.fl_str_mv |
|
| repository.mail.fl_str_mv |
|
| _version_ |
1869415582235885568 |
| spelling |
¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs?Quintana, ÀngelCinema d'autorAuteur theory (Motion pictures)Realisme en la cinematografiaRealism in motion picturesDirectores i productores cinematogràfiquesWomen motion picture producers and directorsPagesiaPeasantryThe critical reception of Carla Simón's Alcarràs has served to speak of the fashion of neo-rurality and the way in which the filmmaker used methods close to neo-realism. The common places detract from the stylistic work of the film and you have to ask yourself what we are talking about when we talk about both neo-rurality and neo-realism. To answer these questions, the article goes on a historical journey through certain forms of realism in cinema and its projection in the vision of the field in order to discover the latent heritage that these theories have left in Alcarràs. The tour starts from André Antoine's adaptation of Émile Zola's La terre (1921). It continues with the work that Georges Rouquier does between fiction and reality in Farrebique (1946), the portrait of family life on a farm in Aveyron. Finally, we analyze the debate about what it means to film the reality that arose at the beginning of Italian neorealism. The historical tour makes it possible to analyze Carla Simón's working methods, to question her style and ultimately to reflect on the links between postmodernity and neo-ruralityLa réception critique d’Alcarràs, de Carla Simón a mis sur le tapis la mode de la néoruralité et l’utilisation par la cinéaste de certaines méthodes proches du néoréalisme. Les lieux communs ne rendent pas compte de la démarche stylistique du film, et il est nécessaire de s’interroger sur la signification de ces deux concepts. Pour cela, cet article entreprend un parcours historique par certaines formes de réalisme au cinéma, ainsi que par les représentations de la campagne qu’elles ont produites, afin d’en découvrir l’héritage latent dans Alcarràs. Ce parcours commence par l’adaptation de La terre (1921) d’Emile Zola réalisée par André Antoine. Il aborde ensuite le travail que Georges Rouquier entreprend à Farrebique (1946), entre fiction et réalité, en proposant le portrait de la vie d’une famille dans une ferme de l’Aveyron. Finalement, nous analysons le débat autour de la captation du réel surgi dans les premiers temps du néoréalisme italien. Ce parcours historique permet d’analyser les méthodes de travail de Carla Simón, d’interroger son style et, en définitive, de réfléchir sur les liens entre postmodernité et néoruralitéL'acollida crítica de l'Alcarràs de Carla Simón va servir per parlar de la moda del neoruralisme i de la manera com la cineasta va utilitzar mètodes propers al neorealisme. Els llocs comuns desmereixen el treball estilístic de la pel·lícula i cal preguntar-se de què parlem quan parlem tant de neoruralisme com de neorealisme. Per respondre aquestes preguntes, l'article fa un recorregut històric per determinades formes de realisme al cinema i la seva projecció en la visió del camp per tal de descobrir l'herència latent que aquestes teories han deixat a Alcarràs. El recorregut parteix de l'adaptació d'André Antoine de La terre (1921) d'Émile Zola. Continua amb el treball que Georges Rouquier fa entre la ficció i la realitat a Farrebique (1946), on proposa el retrat de la vida familiar en una granja de l'Aveyron. Finalment, analitzem el debat sobre què vol dir filmar la realitat que va sorgir als inicis del neorealisme italià. El recorregut històric permet analitzar els mètodes de treball de Carla Simón, qüestionar-ne el seu estil i, en definitiva, reflexionar sobre els vincles entre la postmodernitat i la neoruralitatLettres Sorbone Université2024info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionpeer reviewedapplication/pdfhttp://hdl.handle.net/10256/25965http://hdl.handle.net/10256/25965Catalonia, 2024, vol. 34 (Première Semestre)Articles publicats (D-H)Quintana, Àngel 2024 ¿De quin (neo)realisme (neo)rural parlem quan analitzem Alcarràs? = What (neo)rural (neo)realism are we talking about when we analyze Alcarràs? Catalonia 34 Première Semestreponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)Cataláninfo:eu-repo/semantics/altIdentifier/doi/10.4000/12pafinfo:eu-repo/semantics/altIdentifier/issn/1760-6659info:eu-repo/semantics/altIdentifier/eissn/Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)https://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:recercat.cat:10256/259652026-05-29T05:05:01Z |
| score |
15.812429 |