Regards, frayeurs et points de suspension dans "L'Oiseau bleu" de Maurice Maeterlinck
Abstract: The very famous play L’Oiseau Bleu , by the Belgian Literature Nobel Prize Maurice Mae - terlinck, has been of significant interest for more than a century among theatre and film directors, art creators of all kinds and critics. Its different facets of fairy, symbolic and me - taphysical t...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad de Murcia |
| Repositorio: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/87614 |
| Acceso en línea: | https://doi.org/10.6018/analesff.362061 http://hdl.handle.net/10201/87614 |
| Access Level: | acceso abierto |
| Palabra clave: | Sight Fear Children Soul Magic Vista Miedo Niños Alma Magia CDU::8- Lingüística y literatura |
| Sumario: | Abstract: The very famous play L’Oiseau Bleu , by the Belgian Literature Nobel Prize Maurice Mae - terlinck, has been of significant interest for more than a century among theatre and film directors, art creators of all kinds and critics. Its different facets of fairy, symbolic and me - taphysical tale make it a charming and surpri - sing play. Examining the vocabulary, I’ll study the importance of sight and fear in this work: the words that describe these two notions are superabundant. After trying to find out their meaning for the author, I’ll analyse an unusual formal characteristic in the text: the countless suspension points. |
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