Studio Labayen-Aizpurua. Un laboratorio experimental neoplasticista
[EN] With the development of the avant-garde in the early twentieth century, the debate, long before started, about the relation of art with architecture and furniture, was revived. The paper explains how those new artistic forms permeate through the development of those disciplines, and represent a...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/76573 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/76573 |
| Access Level: | acceso abierto |
| Palabra clave: | José Manuel Aizpurua Neoplasticism Joaquín Labayen Neoplasticismo Studio Mobiliario Arquitectura Fachadas |
| Sumario: | [EN] With the development of the avant-garde in the early twentieth century, the debate, long before started, about the relation of art with architecture and furniture, was revived. The paper explains how those new artistic forms permeate through the development of those disciplines, and represent an image of modernity to some architects who take on that formal language and integrate it into their works. This research explores the case of the Studio of the Spanish architects Joaquin Labayen and Jose Manuel Aizpurua, who not only used Neoplasticism in their early works, following architects such as J.J.P. Oud or P. Mondrian, but also proposed a new interpretation of the modern vanguard through their personal perspective. Beyond a particular aesthetic, the artwork is used as a spatial solution |
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