Adagio. La materialidad como elemento narrativo y simbólico
[EN] The goal of the article is to depict how some as-pects of the material of Stop motion animation can complement and help its narrative. Theses analyses were about the short Adagio (Garri Bardin, 2000) under the concepts of semiotics, of the cinema, of the narrative and based on the interview wit...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/79790 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/79790 |
| Access Level: | acceso abierto |
| Palabra clave: | Animación stop-motion Estética de la animación Connotación Origami |
| Sumario: | [EN] The goal of the article is to depict how some as-pects of the material of Stop motion animation can complement and help its narrative. Theses analyses were about the short Adagio (Garri Bardin, 2000) under the concepts of semiotics, of the cinema, of the narrative and based on the interview with the director. Therefore, it was possible to see how the expression can be pre-sented by means of physical, representative and / or symbolic of the material utilization in the preparation of images. Consequently, this study expands the understanding of the aesthetic ri-chness of animation — as an art, as a technique and as a means of message. |
|---|