Metodología para la investigación cromática del patrimonio. EL PLAN DEL COLOR DE MELILLA
[EN] Today more and more cities are paying special attention to the colour of plaster when undertaking the rehabilitation of their historic centres. The architect Joan Casadevall, director of Gabinete de Color, a studio with a great deal of experience in studies on urban chromatism, explains the Col...
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| Tipo de documento: | artigo |
| Data de publicação: | 1997 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositório: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | espanhol |
| OAI Identifier: | oai:riunet.upv.es:10251/108370 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/108370 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Patrimonio arquitectónico Architectural heritage Loggia |
| Resumo: | [EN] Today more and more cities are paying special attention to the colour of plaster when undertaking the rehabilitation of their historic centres. The architect Joan Casadevall, director of Gabinete de Color, a studio with a great deal of experience in studies on urban chromatism, explains the Colour Scheme for Melilla, a city that will celebrate in 1997 the 5th Centenary of Spanish presence there, demonstrating once again that the colour of historic architecture is closely linked to the styles and ways of working of each period and place, and that its investigation must be carried out not in a haphazard fashion but very methodically. |
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