Del ladrillo al hormigón en la obra de Rogelio Salmona
[EN] The work built by Colombian architect Rogelio Salmona remains bound in contemporary architectural culture, to the very tectonic and even virtuoso use of brick. His roots and European training and the influence of Le Corbusier, with whom he worked, collaborating closely, are always present in hi...
| Autores: | , , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2013 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/94069 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/94069 |
| Access Level: | acceso abierto |
| Palabra clave: | Salmona Ladrillo y hormigón visto Espacios de transición Colombia CCGGM Brick and concrete Spaces of transition |
| Sumario: | [EN] The work built by Colombian architect Rogelio Salmona remains bound in contemporary architectural culture, to the very tectonic and even virtuoso use of brick. His roots and European training and the influence of Le Corbusier, with whom he worked, collaborating closely, are always present in his organizational and spatial design. The exposed concrete, a base material in the final formalization of his buildings, was adopting an increasingly less subsidiary role until it became the focus of one of his latest creations. El central cultural Gabriel García Márquez represents a turning point that is reviewed herein, relating it to his background and his theoretical and conceptual approaches. |
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