The older woman at the centre of dystopia: dramatizing the perils of ageism in Emma Adams' Animals
This article presents an age-centered analysis of Animals (2015), a dystopian play by the British playwright Emma Adams in which men and women over 60 are deemed redundant and useless by a dystopian society that either ordains their murder or marginalizes them completely. Framed within the field of...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10459.1/467928 |
| Acceso en línea: | https://doi.org/10.3384/ijal.1652-8670.5299 https://hdl.handle.net/10459.1/467928 |
| Access Level: | acceso abierto |
| Palabra clave: | Ageism Contemporary drama Demodystopia Intergenerational relationships Older women |
| Sumario: | This article presents an age-centered analysis of Animals (2015), a dystopian play by the British playwright Emma Adams in which men and women over 60 are deemed redundant and useless by a dystopian society that either ordains their murder or marginalizes them completely. Framed within the field of ageing and theatre studies and its intersection with gender theories, our analysis aims to examine the position of the play's older female protagonists in a dystopian world infested with ageism and sexism, which deprives older people (and particularly older women) of their humanity and divests them of their generational meaning. On the whole, the article intends to explore the political and symbolic significance of (female) older characters in new (and demodystopic) dramaturgies of old age, especially with the ultimate objective to search for alternative cultural narratives and conceptualizations of later life that help reconstruct the value of ageing and of intergenerational relationships. |
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