¿Escribió Lope guiones métricos? Métrica y segmentación dramática en Viuda, casada y doncella
In this paper I will provide a segmentation proposal for Viuda, casada y doncella, a play by Lope de Vega. Not only will I take the usual aspects into account (empty stages, versification, space, time), but also mechanisms such as its performance on stage and its reception by the audience in the Go...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universidad de Valladolid |
| Repositorio: | UVaDOC. Repositorio Documental de la Universidad de Valladolid |
| OAI Identifier: | oai:uvadoc.uva.es:10324/19925 |
| Acceso en línea: | http://uvadoc.uva.es/handle/10324/19925 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura |
| Sumario: | In this paper I will provide a segmentation proposal for Viuda, casada y doncella, a play by Lope de Vega. Not only will I take the usual aspects into account (empty stages, versification, space, time), but also mechanisms such as its performance on stage and its reception by the audience in the Golden Age. I will also try to show a metrical peculiarity from Viuda, casada y doncella that, in my opinion, makes it incomparable with other cases analyzed by critics. Finally, I will present the following hypothesis: Lope may have used a metrical outline in order to write this comedia. |
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