Mossèn Avinyó, the Cancionero de Vindel and the Cançoner llemosí del siglo XV
This article illustrates an important while comparably unattended role played by the making of digital databases in our contemporary philological study of medieval poetry. By presenting a case study devoted to the figure of Mossèn Avinyó, a fifteenth-century Catalan nobleman and poet, the authors of...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/12949 |
| Acceso en línea: | http://hdl.handle.net/10256/12949 |
| Access Level: | acceso abierto |
| Palabra clave: | Poesia castellana -- S. XV Spanish poetry -- 15th century Poesia lírica -- S. XV Lyric poetry -- 15th century Cançoners provençals -- S. XV Songbooks, Provençal -- 15th century Cançoners castellans -- S. XV Songbooks, Spanish -- 15th century |
| Sumario: | This article illustrates an important while comparably unattended role played by the making of digital databases in our contemporary philological study of medieval poetry. By presenting a case study devoted to the figure of Mossèn Avinyó, a fifteenth-century Catalan nobleman and poet, the authors of this essay exemplify the need for a rigorous perusal of the material evidence that is being archived in digital projects. With paleographical, codicological, and literary evidence, the authors show with great probability that Avinyó himself compiled two manuscripts currently held by the Hispanic Society of America: the Cancionero de Vindel and the Cançoner llemosí del siglo XV. In doing so, the authors also show that these two manuscripts contain the entirety of Avinyó’s lyric production, along with a sampling of the poetry produced by those who traveled in Avinyó’s cultural circles |
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