Archivos escénicos: reflexiones sobre las formas de no estar muertos en público
[EN] The multiplication of the archives, as cultural practices and as a theoretical framework, has grown at the same rate as the suspicion about its usefulness. This paper proposes the idea of «performing archives» as a reaction to this suspicion. Through the concept of archive in Foucault and Agamb...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/193328 |
| Acceso en línea: | http://hdl.handle.net/10261/193328 |
| Access Level: | acceso abierto |
| Palabra clave: | Performing arts Performing theory Archive Witness Situation Artes escénicas Teoría del teatro Archivo Testigo Situación |
| Sumario: | [EN] The multiplication of the archives, as cultural practices and as a theoretical framework, has grown at the same rate as the suspicion about its usefulness. This paper proposes the idea of «performing archives» as a reaction to this suspicion. Through the concept of archive in Foucault and Agamben, on the one hand, and the Affects Archive project, on the other, different ways of understanding the performative dimension of archive are discussed. |
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