Notas para la creación de un archivo audiovisual de videoarte vasco en el marco del proyecto VideoFlux
[EN] The inexistence of an audiovisual archive project that brings together part of the video art production generated in the Basque Country during the eighties and nineties turns out to be one of the main factors that could have led to distort the place of the artistic practice of video within of t...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/183294 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/183294 |
| Access Level: | acceso abierto |
| Palabra clave: | Video Archivo Audiovisual Archive Video art Obsolescence Heritage Patrimonio |
| Sumario: | [EN] The inexistence of an audiovisual archive project that brings together part of the video art production generated in the Basque Country during the eighties and nineties turns out to be one of the main factors that could have led to distort the place of the artistic practice of video within of the historiography of contemporary basque art. Due to the obsolescence that affects electromagnetic formats, it is urgent to conceive and implement an archival structure that guarantees the safeguarding of a significant number of works that, ultimately, constitute a recent part of the basque artistichistorical heritage. The VideoFlux group, which was born within the Faculty of Fine Arts of the University of the Basque Country, has as one of its main objectives to design and build an audiovisual archive that houses this type of materials, a project that is presented with the intention of combining a technical type of work that involves the recovery and conservation of videographic materials, with the development of a theoretical line that places this phenomenon within a greater paradigm such as of experimental audiovisual practices carried out in the Basque Country. The main objective of this text is to carry out a historical review of the main sources of production and dissemination of video art generated in the Basque Country in the idea of drawing a cartography that leads to identifying and locating a host of materials that are currently dispersed in different centers, headquarters, and archives. The objective is to lay the groundwork for an imminent search and recovery work that leads, as the ultimate goal, to the rehabilitation of these materials, as well as to set the coordinates to rethink the functions of a type of archive where the entity and possibilities of the archived works can also be reconsidered. |
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