¿Por qué no nos sentamos simplemente frente a la pantalla?
[EN] In this paper, PhD Tania de León Yong introduces the characteristics of limited animation compared to full animation, and experimental animation set side by side to orthodox animation: this means, which are the peculiarities of the animated image, and how many frames per second are used? In the...
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| Formato: | artículo |
| Fecha de publicación: | 2015 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/50693 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/50693 |
| Access Level: | acceso abierto |
| Palavra-chave: | Animación limitada Animación completa Animación experimental Animación ortodoxa Animación comercial Clasificación Limited animation Complete animation Experimental animation Orthodox animation Commercial animation Classification |
| Resumo: | [EN] In this paper, PhD Tania de León Yong introduces the characteristics of limited animation compared to full animation, and experimental animation set side by side to orthodox animation: this means, which are the peculiarities of the animated image, and how many frames per second are used? In the same way, the different purposes of films will be compared. Without the intention to be inflexible, the classifying of animation is important because it allow us to think over, to identify, to group and to analyze other’s productions and personal work. These activities constitute a fertile ground for creative productions. |
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