IVisages
This quadruple self-portrait is inspired by the resources used by Tadeusz Kantor in his "Theatre of Death". The omnipresence of the mannequin alternating with the actors offers us an artificial, doll-like vision of the characters. The use of the mask, traditionally associated with funeral...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universidad Complutense de Madrid (UCM) |
| Repositorio: | Docta Complutense |
| Idioma: | pol |
| OAI Identifier: | oai:docta.ucm.es:20.500.14352/133518 |
| Acceso en línea: | https://hdl.handle.net/20.500.14352/133518 |
| Access Level: | acceso abierto |
| Palabra clave: | 7.038 7.01 Autorretrato Máscara Teatro Tadeusz Kantor Dibujo Exposiciones de arte (Bellas Artes) Creación artística 6203 Teoría, Análisis y Critica de las Bellas Artes 6203.04 Dibujo, Grabado 6203.10 Teatro |
| Sumario: | This quadruple self-portrait is inspired by the resources used by Tadeusz Kantor in his "Theatre of Death". The omnipresence of the mannequin alternating with the actors offers us an artificial, doll-like vision of the characters. The use of the mask, traditionally associated with funeral rites, turns the features that once possessed life into objects, into some sort of still life. making the face the domain of the uncanny. |
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