Creando conceptos, subvirtiendo identidades: Bolsas de C. Tangana en la intersección de Deleuze, Guattari y Butler
[EN] This article analyzes how the song "Bolsas" by C. Tangana fits within a critical framework reflecting on identity, gender, and cultural representation. Through the philosophical concepts of Gilles Deleuze and Félix Guattari and Judith Butler's theory of masks, an anal...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/229112 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/229112 |
| Access Level: | acceso abierto |
| Palabra clave: | C. Tangana Philosophy Affects Percepts Gender Filosofía Afectos Perceptos Género |
| Sumario: | [EN] This article analyzes how the song "Bolsas" by C. Tangana fits within a critical framework reflecting on identity, gender, and cultural representation. Through the philosophical concepts of Gilles Deleuze and Félix Guattari and Judith Butler's theory of masks, an analysis of the affects and percepts present in the song s lyrics and aesthetics is developed. It is argued that the construction of C. Tangana's character and his use of "masks" create a space where traditional notions of masculinity are interrogated and pave the way for new understandings of human experience in contemporary times. |
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