Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson

Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became very successful in the Canary Islands in the second half of the 20th century. Among his dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This costumbrista piece consists of a satir...

Descripción completa

Detalles Bibliográficos
Autor: López Ortiz, Agustín Carlos
Tipo de recurso: capítulo de libro
Estado:Versión publicada
Fecha de publicación:2017
País:España
Institución:Universidad de Burgos (UBU)
Repositorio:Repositorio Institucional de la Universidad de Burgos (RIUBU)
OAI Identifier:oai:riubu.ubu.es:10259/5215
Acceso en línea:http://hdl.handle.net/10259/5215
Access Level:acceso abierto
Palabra clave:Orlando Hernández
Henri Bergson
teatro costumbrista
lo cómico
procedimientos cómicos
costumbrista drama
the comedy
comedy procedures
Teatro
Theater
id ES_8ec6989c878c20c628debfb8f0d2cd4e
oai_identifier_str oai:riubu.ubu.es:10259/5215
network_acronym_str ES
network_name_str España
repository_id_str
spelling Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri BergsonLópez Ortiz, Agustín CarlosOrlando HernándezHenri Bergsonteatro costumbristalo cómicoprocedimientos cómicoscostumbrista dramathe comedycomedy proceduresTeatroTheaterOrlando Hernández Martín was a Canarian playwright, novelist and journalist who became very successful in the Canary Islands in the second half of the 20th century. Among his dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society are shown. The comical treatment of topics such as corruption in politics, emigration and the desire of the characters to escape from an oppressive situation completely meets the theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson. Moreover, poetic procedures used to create comedy –in accordance with those discussed by the philosopher– can be clearly appreciated in this work, according to the philosopher.The critical works by George Bernard Shaw, whether under the name of GBS or Corno di Bassetto, date back to far before he made his debut as a playwright, when he made a living as the most feared critic of the London press. Shaw continued practising criticism in the long prefaces that he added to his own published works, and in the countless amount of letters in which the Irish author unleashed his favourite hobby: giving his opinion on everything. This paper aims at reviewing this vast volume of material and tracking the few instances when Shaw mentioned Spanish theatre, in order to shape a general overview of Shaw’s knowledge and opinion of Spanish drama, and on how these ideas could have had an influence in his relationship towards Spain.Editum, Ediciones de la Universidad de Murcia202020202017info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10259/5215reponame:Repositorio Institucional de la Universidad de Burgos (RIUBU)instname:Universidad de Burgos (UBU)EspañolEstudios teatrales: nuevas perspectivas y visiones comparadashttps://libros.um.es/editum/catalog/book/1881http://creativecommons.org/licenses/by-nc-nd/3.0/Attribution-NonCommercial-NoDerivs 3.0 Unportedinfo:eu-repo/semantics/openAccessoai:riubu.ubu.es:10259/52152026-05-28T07:56:11Z
dc.title.none.fl_str_mv Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
title Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
spellingShingle Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
López Ortiz, Agustín Carlos
Orlando Hernández
Henri Bergson
teatro costumbrista
lo cómico
procedimientos cómicos
costumbrista drama
the comedy
comedy procedures
Teatro
Theater
title_short Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
title_full Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
title_fullStr Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
title_full_unstemmed Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
title_sort Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
dc.creator.none.fl_str_mv López Ortiz, Agustín Carlos
author López Ortiz, Agustín Carlos
author_facet López Ortiz, Agustín Carlos
author_role author
dc.subject.none.fl_str_mv Orlando Hernández
Henri Bergson
teatro costumbrista
lo cómico
procedimientos cómicos
costumbrista drama
the comedy
comedy procedures
Teatro
Theater
topic Orlando Hernández
Henri Bergson
teatro costumbrista
lo cómico
procedimientos cómicos
costumbrista drama
the comedy
comedy procedures
Teatro
Theater
description Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became very successful in the Canary Islands in the second half of the 20th century. Among his dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society are shown. The comical treatment of topics such as corruption in politics, emigration and the desire of the characters to escape from an oppressive situation completely meets the theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson. Moreover, poetic procedures used to create comedy –in accordance with those discussed by the philosopher– can be clearly appreciated in this work, according to the philosopher.
publishDate 2017
dc.date.none.fl_str_mv 2017
2020
2020
dc.type.none.fl_str_mv info:eu-repo/semantics/bookPart
info:eu-repo/semantics/publishedVersion
format bookPart
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/10259/5215
url http://hdl.handle.net/10259/5215
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Estudios teatrales: nuevas perspectivas y visiones comparadas
https://libros.um.es/editum/catalog/book/1881
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/3.0/
Attribution-NonCommercial-NoDerivs 3.0 Unported
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/3.0/
Attribution-NonCommercial-NoDerivs 3.0 Unported
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editum, Ediciones de la Universidad de Murcia
publisher.none.fl_str_mv Editum, Ediciones de la Universidad de Murcia
dc.source.none.fl_str_mv reponame:Repositorio Institucional de la Universidad de Burgos (RIUBU)
instname:Universidad de Burgos (UBU)
instname_str Universidad de Burgos (UBU)
reponame_str Repositorio Institucional de la Universidad de Burgos (RIUBU)
collection Repositorio Institucional de la Universidad de Burgos (RIUBU)
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1869413157209899008
score 15,301603

Similares en LA Referencia