El paisaje sonoro en la Odisea
This article examines the way of expressing the world of sounds in Odyssey, which developes through the lexicon it employs. In this way, we analyze the contexts in which some natural elements are named, as well as their sounds and characteristics, and those of certain physical spaces as they are tre...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uam.es:10486/697342 |
| Acceso en línea: | http://hdl.handle.net/10486/697342 https://dx.doi.org/10.5817/GLB2020-2-3 |
| Access Level: | acceso abierto |
| Palabra clave: | acoustic image soundscape Odyssey Homer Filología |
| Sumario: | This article examines the way of expressing the world of sounds in Odyssey, which developes through the lexicon it employs. In this way, we analyze the contexts in which some natural elements are named, as well as their sounds and characteristics, and those of certain physical spaces as they are treated in the poem, with the intention of generating, as much as possible, the universe of sounds that allows to contextualize the poem from an aural point of view. The methodology is based on the linguistic concept of acoustic image that Saussure developed in the late 19th century and follows Schafer's most recent tradition in his 1993 work on soundscape. Winds, sea, storms, palaces and voice will be analyzed in this paper |
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