Rubén Darío i Santiago Rusiñol: política i periodisme literari en la Barcelona modernista
This essay aims to review literary journalism both in Catalan and American Modernism, specifically through the works of Rubén Darío and Santiago Rusiñol, in order to achieve a better understanding of the contemporary idea of literary Cosmopolitanism. The framework to support this analysis goes from...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:2445/104362 |
| Acceso en línea: | https://hdl.handle.net/2445/104362 |
| Access Level: | acceso abierto |
| Palabra clave: | Periodisme i literatura Modernisme (Literatura) Barcelona (Catalunya) Journalism and literature Modernism (Literature) Barcelona (Catalonia) Rusiñol, Santiago, 1861-1931 Darío, Rubén, 1867-1916 |
| Sumario: | This essay aims to review literary journalism both in Catalan and American Modernism, specifically through the works of Rubén Darío and Santiago Rusiñol, in order to achieve a better understanding of the contemporary idea of literary Cosmopolitanism. The framework to support this analysis goes from Desde el Molino, written by Rusiñol in Paris between 1890 and 1894, to the chapter devoted to Barcelona by Darío in España contemporánea, written between 1899 and 1901. Reading these works as journalistic reflections on modernity and cosmopolitanism also calls for considering the reactions against them, both from a political and aesthetic perspective, by some prominent Spanish writers. In this respect, the fin-de-siècle Catalan and American literature may be a key aspect concerning a redefinition of the cultural history of literary Cosmopolitanism. |
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