Dominación androcentrista y encierro en el arte contemporáneo
[EN] From ancient civilizations has been built a patriarchal system based on an imbalance between the domain of the masculine over the feminine. From Aristotle who settled view as the perfect masculine and feminine as its imperfect version, adopted this idea until the enlightenment. From this moment...
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| Tipo de recurso: | tesis doctoral |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/61953 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/61953 |
| Access Level: | acceso abierto |
| Palabra clave: | Encierro, androcentrismo, crimen sexual, violación, feminismo, arte, iconografía mujer muerta ESCULTURA |
| Sumario: | [EN] From ancient civilizations has been built a patriarchal system based on an imbalance between the domain of the masculine over the feminine. From Aristotle who settled view as the perfect masculine and feminine as its imperfect version, adopted this idea until the enlightenment. From this moment spent imperfect woman to womb women, and female biology becomes the engine of all «evil». In this long journey of education and cultural assimilation of the inequality in the 19th century, is based on the advances scientists and this differentiation becomes an open misogyny. In art this misogyny is transformed into the representation of unconscious women, crucified and killed. This representation of selflessness through death becomes the representation explicit violence against women, establishing a kind of cult to the sexual murderers. Artists depict murdered and raped women where attacks have a patent sexual anger. But as the second law of Newton every action has its opposite and opposite reaction and women artists recover her body, using it to reverse the phallocentric discourse. |
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