De los teatros anatómicos a 'Oh! Uomo', de Yervant Gianikian y Angela Ricci Lucchi: una arqueología de la mirada médica del cuerpo
Modern consciousness of the body is due to a number of epistemological processes that took place during the Renaissance. The practice of the anatomy in the anatomical theaters helped to shape and to develop an image of the human body, compiled in the anatomical atlas. Andreas Vesalius’ De humani cor...
| Autor: | |
|---|---|
| Formato: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | España |
| Recursos: | CBUC, CESCA |
| Repositorio: | TDR. Tesis Doctorales en Red |
| OAI Identifier: | oai:www.tdx.cat:10803/402100 |
| Acesso em linha: | http://hdl.handle.net/10803/402100 |
| Access Level: | acceso abierto |
| Palavra-chave: | Cine médico Cine neurológico La neuropatología Camillo Negro Primera Guerra Mundial Yervant Gianikian Angela Ricci Lucchi Oh! Uomo Medical film Neurological film First World War 316 |
| Resumo: | Modern consciousness of the body is due to a number of epistemological processes that took place during the Renaissance. The practice of the anatomy in the anatomical theaters helped to shape and to develop an image of the human body, compiled in the anatomical atlas. Andreas Vesalius’ De humani corporis fabrica libri septem is recognised as the most influential above all. With the advent of the technologies of mechanical reproduction of images during the mid-nineteenth century, a new regime of visualization was born only to redefine the images of the human body in the field of the neurosciences. Atlas of surgical and neurological films such as Camillo Negro’s La neuropatologia (1908) will help scientists to encode and decode pathologies, but the stories of those films are also stories of bodies subjected to a violent apparatus, as the Italian filmmakers Yervant Gianikian and Angela Ricci Lucchi expose in Oh! Uomo (2004). |
|---|