Adaptive reuse of vernacular built heritage: learnings from Alcino Cardoso House (1971–1991) by Álvaro Siza
The Alcino Cardoso House (first phase: 1971-1973; second phase: 1988-1991), located in northern Portugal, was one of the first interventions in pre-existing buildings undertaken by the Pritzker Prize-winner architect Álvaro Siza (1933) to receive national and international acclaim. The design consis...
| Autores: | , , , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/158270 |
| Acceso en línea: | https://hdl.handle.net/11441/158270 https://doi.org/10.1007/s41024-023-00301-6 |
| Access Level: | acceso abierto |
| Palabra clave: | Adaptive reuse Vernacular architecture Built heritage School of Porto Architectural conservation Álvaro Siza |
| Sumario: | The Alcino Cardoso House (first phase: 1971-1973; second phase: 1988-1991), located in northern Portugal, was one of the first interventions in pre-existing buildings undertaken by the Pritzker Prize-winner architect Álvaro Siza (1933) to receive national and international acclaim. The design consisted of the conservation of vernacular farm buildings and their transformation into a holiday home and tourist accommodation. This intervention echoes the concerns of the critical revision of modern architecture in the Portuguese context (the so-called ‘third way’ as coined by Fernando Távora) marked by an innovative reinterpretation of tradition: modern principles such as spatial fluidity, curtain wall glass façade, architectural promenade are introduced while respecting the pre-existence landscape and character by integrating vernacular design principles and construction techniques. This early Álvaro Siza intervention in a rural context has become a reference case-study for the School of Porto architects and provides us with lessons on contemporary reuse of built heritage. |
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