Don Quixote of La Mancha: transmedia storytelling in the grey zone
Transmedia storytelling is one of the most interesting phenomena emerging from the /ncontemporary media ecology. In this/narticle, the focus moves from contemporary /ntransmedia productions to a literary classic: /nThe /nIngenious Gentleman Don Quixote of La /nMancha/n, written by/nMiguel de /nCerva...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2014 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositório: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10230/26012 |
| Acesso em linha: | http://hdl.handle.net/10230/26012 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Transmedia Storytelling Don Quixote Participatory culture Mediation |
| Resumo: | Transmedia storytelling is one of the most interesting phenomena emerging from the /ncontemporary media ecology. In this/narticle, the focus moves from contemporary /ntransmedia productions to a literary classic: /nThe /nIngenious Gentleman Don Quixote of La /nMancha/n, written by/nMiguel de /nCervante from 1605/n–/n1615). Inspired by the conceptions of /nHenry Jenkins and Jesús Martín/n-/nBarbero/n, this article first reflects on the relationships /nbetween participatory culture, the media industry, and popular cultures; second, the /narticle analyses from a narratological perspective a corpus of productions published /nbetween the 19th and 20th centuries/nin Spain that expanded the narrative universe of /nCervantes’ masterpiece. The research specifically focuses on the /nauques/n, a series of /nperipheral graphic productions situated in a grey zone between Cervantes’ official /nnarrative (the canon) and user/n-/ngenerat/ned content (the fandom). |
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