Estética compositiva en las partituras generativas de Mestres Quadreny
This research study on the generative scores of the Catalan composer Josep Maria Mestres Quadreny (1929-2021) is the first work of this type to include, in full, all of these works in the composer's catalogue. The generative scores are a total of eleven works, composed between 1961 and 1982. An...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | CBUC, CESCA |
| Repositorio: | TDR. Tesis Doctorales en Red |
| OAI Identifier: | oai:www.tdx.cat:10803/691915 |
| Acceso en línea: | http://hdl.handle.net/10803/691915 |
| Access Level: | acceso abierto |
| Palabra clave: | Josep Maria Mestres Quadreny Compositors catalans Compositores catalanes Catalan composers Composició musical Composición musical Musical composition Partitures generatives Partituras generativas Generatives scores Música aleatòria Música aleatoria Aleatoric music Música oberta Música abierta Open music Cristòfor Taltabull Joan Brossa 78 |
| Sumario: | This research study on the generative scores of the Catalan composer Josep Maria Mestres Quadreny (1929-2021) is the first work of this type to include, in full, all of these works in the composer's catalogue. The generative scores are a total of eleven works, composed between 1961 and 1982. An exhaustive analysis and study of each of the scores is carried out, where starting from the contextualization of each of them, the fundamental characteristics contained in each work are described. These works are Tres invencions mòbils (1961), Quartet de catroc (1962), Tres canons en homenatge a Galileu (1964), Suite Bufa (1966), Frigolí-Frigolà (1969), Aronada (1971), Self-service (1973), Homenatge a Robert Gerhard (1976), Tocatina (1978), the cycle of six concerts of L'Estro Aleatorio (1973-78) and Canviera (1982) |
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