Housing the basque country. Photography of the collective space
In 2018, Housing the Basque Country (HBC) opened in Bilbao. The exhibition sought to expose the results of the housing policy achieved by the Basque Regional Government in the last three decades. HBC aimed to explain the different stories generated around public housing since this subject is, withou...
| Authors: | , , |
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| Format: | article |
| Publication Date: | 2024 |
| Country: | España |
| Institution: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repository: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Language: | English |
| OAI Identifier: | oai:dadun.unav.edu:10171/120661 |
| Online Access: | https://hdl.handle.net/10171/120661 |
| Access Level: | Open access |
| Keyword: | Housing the Basque Country Architecture Public housing Bilbao Environment |
| Summary: | In 2018, Housing the Basque Country (HBC) opened in Bilbao. The exhibition sought to expose the results of the housing policy achieved by the Basque Regional Government in the last three decades. HBC aimed to explain the different stories generated around public housing since this subject is, without a doubt, one of those that brings together the most realities around it: from politics to the architectural, going through the economic or productive, the sociological, historical and legal; setting at the center the inhabitant. From the exhibition point of view, HBC started with the difficulty of highlighting for a nonprofessional audience a theme limited both by its geographical location and by its distance from spectacular architecture. It was decided to compile a selection of thirty projects that served to explain the evolution of public housing, taking into account criteria such as their date of completion, geographical distribution, location in cities or small towns, typological advances, and aesthetic values. But the projects were also selected for their potential to capture something that seemed essential to incorporate into the exhibition: the human dimension. Thus, and during several trips to the thirty projects, it was possible to compile a valuable set of visual documents containing the “vital substance” that had grown in those environments. Various photographs in different formats explained aspects such as the current state of these residential complexes, their urban life, the physical traces of time, the dialogue with nature, the validity or expiration of their architecture and urban planning, and their social content. For better or for worse, the aim of that work was not to achieve an aesthetically striking photographic collection, but rather to bear witness to the literal and direct presentation of the urban - and therefore human - result in force in those inhabited environments. |
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