Ocaso y transformación de la Escuela de Altamira: La Tercera Semana (Madrid, 1951), Gullón y los vínculos con otras iniciativas oficiales
[EN] This article studies the Escuela de Altamira´s final stage and its transfor-mation into new official artistic initiatives. The decisive role of Ricardo Gullón for the orientation of this platform for debate and projection of contemporary art is shown. The sofar little known ‘Third Week of Art’,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/90281 |
| Acceso en línea: | http://hdl.handle.net/10261/90281 |
| Access Level: | acceso abierto |
| Palabra clave: | UIMP Arte Third Week of Art Hispano-American Biennial of Art Summer Courses of Santander Escuela de Altamira Tercera Semana de Arte Ricardo Gullón Bienal Hispanoamericana de Arte Curso de Verano de Santander |
| Sumario: | [EN] This article studies the Escuela de Altamira´s final stage and its transfor-mation into new official artistic initiatives. The decisive role of Ricardo Gullón for the orientation of this platform for debate and projection of contemporary art is shown. The sofar little known ‘Third Week of Art’, held in Madrid in 1951 –that would incite a new way of action among the members of the ‘Escuela’– and the bonds established with the Hispano-American Biennial and the Summer Courses of the UIMP of Santander are analysed. |
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