Matilda, Leonor and Joanna: the Plantagenet sisters and the display of dynastic connections through material culture
The material culture related to Duchess Matilda of Saxony, Queen Leonor of Castile and Countess Joanna of Toulouse (and former Queen of Sicily) offers a rich resource that allows us to understand how, when and why they connected themselves to their father, Henry II of England. The objects studied in...
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| Formato: | artículo |
| Estado: | Versión aceptada para publicación |
| Fecha de publicación: | 2017 |
| País: | España |
| Recursos: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/200001 |
| Acesso em linha: | http://hdl.handle.net/10261/200001 |
| Access Level: | acceso abierto |
| Palavra-chave: | Plantagenet Matilda Leonor Joanna Filia regis Henry II of England Material culture Art Medieval history |
| Resumo: | The material culture related to Duchess Matilda of Saxony, Queen Leonor of Castile and Countess Joanna of Toulouse (and former Queen of Sicily) offers a rich resource that allows us to understand how, when and why they connected themselves to their father, Henry II of England. The objects studied in this article prompt significant questions regarding the relation between material culture and royal women, which allow us to explore the formative phases in women¿s lives as well as their roles in the promotion and construction of a dynastic consciousness. Even though the sisters probably acted separately, they did so with a shared awareness of their positions as royal daughters and the need to communicate this collectively. By centring on the three sisters¿ objects, this article proposes that the study of material culture is crucial for a better understanding of the co-operation between siblings and can contribute to a more nuanced interpretation of power. |
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