El retaule major de Nostra Senyora del Socors i la formació del santuari cinccentista de la serra del Corredor
The article investigates the origins of a sixteenth century sanctuary devoted to the Blessed Virgin, which was built with the active intervention of the hermit Lleonard Claus (m. 1601). Special attention is paid to its complex main altarpiece (commissioned in 1589), and its fourteen painted panels....
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2002 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/15208 |
| Acesso em linha: | http://hdl.handle.net/10256/15208 |
| Access Level: | acceso abierto |
| Palavra-chave: | Santuari de la Mare de Déu del Socors (Sant Andreu del Far) Retaules Barrocs Altarpieces, Baroque |
| Resumo: | The article investigates the origins of a sixteenth century sanctuary devoted to the Blessed Virgin, which was built with the active intervention of the hermit Lleonard Claus (m. 1601). Special attention is paid to its complex main altarpiece (commissioned in 1589), and its fourteen painted panels. The article identifies their painter, Antoni Toreno II (m. 1598), for the first time. Some of the main aspects of this artist's biography and his inspiration on Cornelis Cort engravings are described |
|---|