Estudio comparativo de la pintura mural gótica valenciana a partir de elementos de estilo y materiales representativos
[EN] We present in this communication part of the research work carried out in the doctoral thesis "La mural mural gòtica lineal a territori valencià. Status quo of the corpus conegut. Study for its conservation"(2015), which has cataloged the corpus of linear Gothic paintings cons...
| Autores: | , |
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/107563 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/107563 |
| Access Level: | acceso abierto |
| Palabra clave: | Pintura gótica valenciana Materiales pictóricos Valencian gothic painting Pictorial materials |
| Sumario: | [EN] We present in this communication part of the research work carried out in the doctoral thesis "La mural mural gòtica lineal a territori valencià. Status quo of the corpus conegut. Study for its conservation"(2015), which has cataloged the corpus of linear Gothic paintings conserved in Valencian territory. In this work, 34 buildings have been identified, which contain totally or partially remains of 71 decorative sets (figurative, decorative and architectural) with Gothic characteristics, and is still open due to new researches in progress and continuous discoveries of paintings that continue to be produced. In the investigation, the Gothic mural paintings were analyzed individually, identifying historical and geographical circumstances, background and references in other arts, as well as the study of conservation status, invoice mode and component analysis, in order to find Common features that define the existing corpus. It has been found a wide variety of themes represented, of decorative and stylistic resources, determining that there are diverse themes, ornamental elements, distribution structures, and models that make up a rich artistic panorama. We present in this work the comparative analysis at the stylistic and material level based on the common traits detected a in the different pictorial sets. In the stylistic area (presented in this article), all of the identified sets are studied, regardless of whether they are located in the initial Gothic period or more evolved, or that conform architectural decorations. |
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