Los poliedros como forma de conocimiento geométrico: el Jamnitzer español o el cuarto libro de Artes Exçelençias dela Perspectiba
[EN] This article explores the link between the work of goldsmith Wentzel Jamnitzer (1508-1585), Perspectiva corporium regularium, 1568, and the fourth book of a Spanish manuscript from the end of the 17th century, Artes Excelençias dela perspectiva a maestro P. Gómez de Alcuña. 16881, an anonymous...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/76238 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/76238 |
| Access Level: | acceso abierto |
| Palabra clave: | Perspective Polyhedra Goldsmithing Wentzel Jamnitzer Geometry Geometría Poliedros Perspectiva Orfebrería |
| Sumario: | [EN] This article explores the link between the work of goldsmith Wentzel Jamnitzer (1508-1585), Perspectiva corporium regularium, 1568, and the fourth book of a Spanish manuscript from the end of the 17th century, Artes Excelençias dela perspectiva a maestro P. Gómez de Alcuña. 16881, an anonymous text which is still little known to international or even Spanish scholar circles. The manuscript is the only treatise that analyzes the polyhedra displayed in the work of the Viennese artist from a graphic, constructive point of view. Some of the fundamental aspects to understand the contribution of the Spanish author to the ways of representing perspective regarding the use of graphic mechanisms and mechanic instruments will be discussed below. |
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