Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger

[EN] The adoption by local governments of neoliberal theories and strategic planning, which promotes the use of competitiveness scales and business marketing criteria in urban management, generated a series of changes in cities with the aim of reversing the closure of factories and shops and attract...

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Detalles Bibliográficos
Autor: Somoza Medina, Xosé
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:España
Institución:Universidad Rey Juan Carlos
Repositorio:BULERIA. Repositorio Institucional de la Universidad de León
OAI Identifier:oai:buleria.unileon.es:10612/17495
Acceso en línea:https://hdl.handle.net/10612/17495
Access Level:acceso abierto
Palabra clave:Geografía
Marketing
Urban marketing
Commodification of cities
Film Commission
Urban tourism
5403 Geografía Humana
5311.05
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oai_identifier_str oai:buleria.unileon.es:10612/17495
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spelling Cinema and city placement of Porto: from Manoel de Oliveira to Gabe KlingerCine y emplazamiento de la ciudad de Oporto: de Manoel de Oliveira a Gabe KlingerSomoza Medina, XoséGeografíaMarketingUrban marketingCommodification of citiesFilm CommissionUrban tourism5403 Geografía Humana5311.05[EN] The adoption by local governments of neoliberal theories and strategic planning, which promotes the use of competitiveness scales and business marketing criteria in urban management, generated a series of changes in cities with the aim of reversing the closure of factories and shops and attracting new businesses, residents and tourists. In this context, the cinema became a media platform to project the image that wanted to promote of the city as a tourist destination and an innovative and creative scene, mainly through the action of the Film Commissions. This article analyses the relationship between cinema and the city of Porto, from the first film episodes to the co-financing by the local Film Commission of the film Porto, by Brazilian-born filmmaker Gabe Klinger. The study contrasts the way in which local director Manoel de Oliveira projected the city of Porto in his works, with the objective and qualitative analysis of Gabe Klinger’s film. Among the conclusions, we can mention how the cinema shows over time the functional changes of the modern city and that the projected image must have a clear relationship with the sense of place of the filmed city.[ES] La asunción por parte de los gobiernos municipales de las teorías neoliberales y la planificación estratégica, que promueve la utilización de criterios de competitividad y marketing empresarial en la gestión urbana, generaron una serie de cambios en las ciudades con el objetivo de revertir el cierre de fábricas y comercios y atraer nuevos negocios, residentes y turistas. En este contexto, el cine se convirtió en una plataforma mediática donde proyectar la imagen que se quería promover de la ciudad como destino turístico y escenario innovador y creativo, fundamentalmente a través de la acción de las denominadas Film Commissions. En este artículo se analiza la relación entre el cine y la ciudad de Porto, desde los primeros episodios cinematográficos portuenses hasta la cofinanciación por parte de la Film Commission local de la película Porto, del realizador de origen brasileño Gabe Klinger. En el estudio se contrapone el modo en el que el director local Manoel de Oliveira proyectó la ciudad de Porto en sus obras, con el análisis objetivo y cualitativo de la película de Gabe Klinger. Entre las conclusiones obtenidas podemos mencionar como el cine muestra a lo largo del tiempo los cambios funcionales de la ciudad moderna y que la imagen proyectada debe guardar una relación clara con el sentido de lugar de la ciudad filmada.SIAsociación Española de GeografíaGeografia HumanaFacultad de Filosofia y Letras2022info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://hdl.handle.net/10612/17495reponame:BULERIA. Repositorio Institucional de la Universidad de Leóninstname:Universidad Rey Juan CarlosIngléshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:buleria.unileon.es:10612/174952026-06-24T12:43:27Z
dc.title.none.fl_str_mv Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
Cine y emplazamiento de la ciudad de Oporto: de Manoel de Oliveira a Gabe Klinger
title Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
spellingShingle Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
Somoza Medina, Xosé
Geografía
Marketing
Urban marketing
Commodification of cities
Film Commission
Urban tourism
5403 Geografía Humana
5311.05
title_short Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
title_full Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
title_fullStr Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
title_full_unstemmed Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
title_sort Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
dc.creator.none.fl_str_mv Somoza Medina, Xosé
author Somoza Medina, Xosé
author_facet Somoza Medina, Xosé
author_role author
dc.contributor.none.fl_str_mv Geografia Humana
Facultad de Filosofia y Letras
dc.subject.none.fl_str_mv Geografía
Marketing
Urban marketing
Commodification of cities
Film Commission
Urban tourism
5403 Geografía Humana
5311.05
topic Geografía
Marketing
Urban marketing
Commodification of cities
Film Commission
Urban tourism
5403 Geografía Humana
5311.05
description [EN] The adoption by local governments of neoliberal theories and strategic planning, which promotes the use of competitiveness scales and business marketing criteria in urban management, generated a series of changes in cities with the aim of reversing the closure of factories and shops and attracting new businesses, residents and tourists. In this context, the cinema became a media platform to project the image that wanted to promote of the city as a tourist destination and an innovative and creative scene, mainly through the action of the Film Commissions. This article analyses the relationship between cinema and the city of Porto, from the first film episodes to the co-financing by the local Film Commission of the film Porto, by Brazilian-born filmmaker Gabe Klinger. The study contrasts the way in which local director Manoel de Oliveira projected the city of Porto in his works, with the objective and qualitative analysis of Gabe Klinger’s film. Among the conclusions, we can mention how the cinema shows over time the functional changes of the modern city and that the projected image must have a clear relationship with the sense of place of the filmed city.
publishDate 2022
dc.date.none.fl_str_mv 2022
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/10612/17495
url https://hdl.handle.net/10612/17495
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Asociación Española de Geografía
publisher.none.fl_str_mv Asociación Española de Geografía
dc.source.none.fl_str_mv reponame:BULERIA. Repositorio Institucional de la Universidad de León
instname:Universidad Rey Juan Carlos
instname_str Universidad Rey Juan Carlos
reponame_str BULERIA. Repositorio Institucional de la Universidad de León
collection BULERIA. Repositorio Institucional de la Universidad de León
repository.name.fl_str_mv
repository.mail.fl_str_mv
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