Vides entrecreuades: Joan Carles Panyó, Ramon Amadeu i Josep Barnoya a la capella del Sant Crist i del Santíssim Sagrament de l'església de Sant Esteve d'Olot

The present study elaborates on the friendship and projects between the painter Joan Carles Panyó, and the sculptors Ramon Amadeu and Josep Barnoya, active in the period overlapping the eighteenth and nineteenth centuries. It deals with the confluence of Barnoya and Panyó in some of the great projec...

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Detalles Bibliográficos
Autor: Miralpeix i Vilamala, Francesc
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:España
Institución:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
Repositorio:Recercat. Dipósit de la Recerca de Catalunya
OAI Identifier:oai:recercat.cat:10256/21182
Acceso en línea:http://hdl.handle.net/10256/21182
Access Level:acceso abierto
Palabra clave:Art català -- S.XVIII
Escultura barroca -- Catalunya -- Olot
Pintura barroca -- Catalunya -- Olot
Catalan art -- 18th century
Baroque sculpture -- Catalonia -- Olot
Baroque painting -- Catalonia -- Olot
Panyó i Figaró, Joan-Carles, 1755-1840
Amadeu, Ramon, 1745-1821
Barnoya Viñals, Josep, 1752-1829
Església Parroquial de Sant Esteve (Olot, Catalunya)
Descripción
Sumario:The present study elaborates on the friendship and projects between the painter Joan Carles Panyó, and the sculptors Ramon Amadeu and Josep Barnoya, active in the period overlapping the eighteenth and nineteenth centuries. It deals with the confluence of Barnoya and Panyó in some of the great projects of ephemeral architectures carried out in the diocese of Girona and, especially, in the decoration of the chapel of the Holy Christ and the Blessed Sacrament of the parochial church of Sant Esteve, Olot. The paper provides a wide range of information about the chapel that helps to clarify its pictorial and sculptural decoration