Pilar Calvo Rodero: trasvases entre escultura y escena durante el franquismo
[EN] Pilar Calvo Rodero (1910-1974) embodies two aspects, largely ignored by traditional historiography, of artistic production during Francoism: woman-made art and artistic production in non-pictorial mediums such as sculpture, and costume and stage design. Through a creative commitment aimed towar...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/288068 |
| Acceso en línea: | http://hdl.handle.net/10261/288068 |
| Access Level: | acceso abierto |
| Palabra clave: | Art during Francoism Women artists Sculpture Costume design Scenography Arte durante el franquismo Mujeres artistas Escultura Figurinismo Escenografía Sculptors Performers |
| Sumario: | [EN] Pilar Calvo Rodero (1910-1974) embodies two aspects, largely ignored by traditional historiography, of artistic production during Francoism: woman-made art and artistic production in non-pictorial mediums such as sculpture, and costume and stage design. Through a creative commitment aimed towards tridimensionality, this artist created an imaginary around herself rich in techniques and nuances. Supported on the study of unpublished documentation from public institutions, private collections, and the family archive, this article analyses the complex trajectory of Pilar Calvo Rodero to give prominence to her contributions in the context of feminine cultural production during Francoism, between the scultptural and the scenic arts. |
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