Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach

Psychoacoustic research in the field of concert halls has revealed that many aspects concerning listening perception have yet to be totally understood. On the one hand, the objective room acoustics of performance spaces are reflected in parameters, some standardized and some not, but these are relat...

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Autores: Giménez Pérez, Alicia|||0000-0003-1516-4086, Cerdá Jordá, Salvador|||0000-0002-6677-2025, Cibrián Ortíz de Anda, Rosa, Girón, Sara, Zamarreño García, Teófilo
Tipo de recurso: artículo
Fecha de publicación:2014
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:inglés
OAI Identifier:oai:riunet.upv.es:10251/47986
Acceso en línea:https://riunet.upv.es/handle/10251/47986
Access Level:acceso abierto
Palabra clave:Perceptive acoustic evaluation
Room acoustics
Concert hall
Multidimensional scaling
Acoustic quality
Concert-goers responses
MATEMATICA APLICADA
FISICA APLICADA
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network_name_str España
repository_id_str
dc.title.none.fl_str_mv Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
title Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
spellingShingle Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
Giménez Pérez, Alicia|||0000-0003-1516-4086
Perceptive acoustic evaluation
Room acoustics
Concert hall
Multidimensional scaling
Acoustic quality
Concert-goers responses
MATEMATICA APLICADA
FISICA APLICADA
title_short Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
title_full Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
title_fullStr Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
title_full_unstemmed Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
title_sort Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
dc.creator.none.fl_str_mv Giménez Pérez, Alicia|||0000-0003-1516-4086
Cerdá Jordá, Salvador|||0000-0002-6677-2025
Cibrián Ortíz de Anda, Rosa
Girón, Sara
Zamarreño García, Teófilo
author Giménez Pérez, Alicia|||0000-0003-1516-4086
author_facet Giménez Pérez, Alicia|||0000-0003-1516-4086
Cerdá Jordá, Salvador|||0000-0002-6677-2025
Cibrián Ortíz de Anda, Rosa
Girón, Sara
Zamarreño García, Teófilo
author_role author
author2 Cerdá Jordá, Salvador|||0000-0002-6677-2025
Cibrián Ortíz de Anda, Rosa
Girón, Sara
Zamarreño García, Teófilo
author2_role author
author
author
author
dc.contributor.none.fl_str_mv Departamento de Física Aplicada
Departamento de Matemática Aplicada
Escuela Técnica Superior de Ingeniería Industrial
Escuela Técnica Superior de Ingeniería Informática
Repositorio Institucional de la Universitat Politècnica de València Riunet
dc.subject.none.fl_str_mv Perceptive acoustic evaluation
Room acoustics
Concert hall
Multidimensional scaling
Acoustic quality
Concert-goers responses
MATEMATICA APLICADA
FISICA APLICADA
topic Perceptive acoustic evaluation
Room acoustics
Concert hall
Multidimensional scaling
Acoustic quality
Concert-goers responses
MATEMATICA APLICADA
FISICA APLICADA
description Psychoacoustic research in the field of concert halls has revealed that many aspects concerning listening perception have yet to be totally understood. On the one hand, the objective room acoustics of performance spaces are reflected in parameters, some standardized and some not, but these are related to a limited number of perceptual attributes of human response. In general, these objective parameters cannot accurately describe the acoustic details due to their inherent simplification. Under these premises, impulse responses (576 receivers) are measured in 16 concert halls, according to standard procedures, and the perception and satisfaction of the occupants of the rooms are evaluated by completing a questionnaire during live concerts. Correlation analyses and multidimensional scaling (MDS) techniques have been applied to spatial and multi-band averaged values of the acoustic parameters studied (18), and the average values of users responses (1284) to the questionnaire items (26). As a first result, correlations between objective parameters and users responses show that transversality exists between them. Secondly, hierarchical clustering produces the classification of survey questions in 7 hierarchical classes. On the other hand, a lack of tuning between objective parameters and perceptual responses is observed on applying MDS analysis to the ordination of the venues from a subjective assessment and a subjectiveobjective assessment. Finally, although the results show the mismatch between objective parameters and subjective responses, a model of subjective global evaluation of the acoustics of the room from data of three orthogonal acoustic parameters is implemented, revealing a reasonably good fit.
publishDate 2014
dc.date.none.fl_str_mv 2014
2014-04-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://riunet.upv.es/handle/10251/47986
url https://riunet.upv.es/handle/10251/47986
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.relation.none.fl_str_mv Ministerio de Ciencia e Innovación http://dx.doi.org/10.13039/501100004837 BIA2008-05485 ESTUDIO DE PARAMETROS OBJETIVOS Y SUBJETIVOS EVALUADORES DE LA CALIDAD ACUSTICA PERCIBIDA EN SALAS, AUDITORIOS Y EDIFICIOS DEL PATRIMONIO HISTORICO-ARTISTICO. VALIDACION DE UN PROTOCOLO DE CALIDAD ACU
Ministerio de Ciencia y Tecnología https://doi.org/10.13039/501100006280 BIA2003-09306-C04-01 Establecimiento de parámetros acústicos determinantes de la calidad percibida en salas de conciertos y auditorios. Propuesta para su aplicación en los proyectos de nueva planta o rehabilitación
Ministerio de Ciencia e Innovación http://dx.doi.org/10.13039/501100004837 BIA2010-20523 LA ACUSTICA DE LAS CATEDRALES: UNA APORTACION CIENTIFICA PARA LA RECUPERACION DEL PATRIMONIO CULTURAL
Ministerio de Economía y Competitividad http://dx.doi.org/10.13039/501100003329 BIA2012-36896 ACUSTICA VIRTUAL.APLICACION DEL PROTOCOLO DE CALIDAD ACUSTICA CON RV, EN PROYECTOS DE DISEÑO, REHABILITACION Y EN ACUSTICA ARQUEOLOGICA DEL PATRIMONIO MATERIAL
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reserva de todos los derechos
http://rightsstatements.org/vocab/InC/1.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
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Reserva de todos los derechos
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Elsevier
publisher.none.fl_str_mv Elsevier
dc.source.none.fl_str_mv reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
instname:Universitat Politècnica de València (UPV)
instname_str Universitat Politècnica de València (UPV)
reponame_str RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
collection RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
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repository.mail.fl_str_mv
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spelling Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approachGiménez Pérez, Alicia|||0000-0003-1516-4086Cerdá Jordá, Salvador|||0000-0002-6677-2025Cibrián Ortíz de Anda, RosaGirón, SaraZamarreño García, TeófiloPerceptive acoustic evaluationRoom acousticsConcert hallMultidimensional scalingAcoustic qualityConcert-goers responsesMATEMATICA APLICADAFISICA APLICADAPsychoacoustic research in the field of concert halls has revealed that many aspects concerning listening perception have yet to be totally understood. On the one hand, the objective room acoustics of performance spaces are reflected in parameters, some standardized and some not, but these are related to a limited number of perceptual attributes of human response. In general, these objective parameters cannot accurately describe the acoustic details due to their inherent simplification. Under these premises, impulse responses (576 receivers) are measured in 16 concert halls, according to standard procedures, and the perception and satisfaction of the occupants of the rooms are evaluated by completing a questionnaire during live concerts. Correlation analyses and multidimensional scaling (MDS) techniques have been applied to spatial and multi-band averaged values of the acoustic parameters studied (18), and the average values of users responses (1284) to the questionnaire items (26). As a first result, correlations between objective parameters and users responses show that transversality exists between them. Secondly, hierarchical clustering produces the classification of survey questions in 7 hierarchical classes. On the other hand, a lack of tuning between objective parameters and perceptual responses is observed on applying MDS analysis to the ordination of the venues from a subjective assessment and a subjectiveobjective assessment. Finally, although the results show the mismatch between objective parameters and subjective responses, a model of subjective global evaluation of the acoustics of the room from data of three orthogonal acoustic parameters is implemented, revealing a reasonably good fit.The authors wish to express their gratitude to P. Bustamante for his help, to all those who participated as listeners in this study, and to management and staff of each hall for facilitating acoustic measurements and allowing distribution of the questionnaires in their theatres. This work has been financially supported by FEDER funds and by the Ministry of Science and Technology with references Nos. BIA2003-09306, BIA2008-05485, BIA 2010-20523, and BIA 2012-36896.ElsevierDepartamento de Física AplicadaDepartamento de Matemática AplicadaEscuela Técnica Superior de Ingeniería IndustrialEscuela Técnica Superior de Ingeniería InformáticaRepositorio Institucional de la Universitat Politècnica de València Riunet20142014-04-01journal articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://riunet.upv.es/handle/10251/47986reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valénciainstname:Universitat Politècnica de València (UPV)InglésengMinisterio de Ciencia e Innovación http://dx.doi.org/10.13039/501100004837 BIA2008-05485 ESTUDIO DE PARAMETROS OBJETIVOS Y SUBJETIVOS EVALUADORES DE LA CALIDAD ACUSTICA PERCIBIDA EN SALAS, AUDITORIOS Y EDIFICIOS DEL PATRIMONIO HISTORICO-ARTISTICO. VALIDACION DE UN PROTOCOLO DE CALIDAD ACUMinisterio de Ciencia y Tecnología https://doi.org/10.13039/501100006280 BIA2003-09306-C04-01 Establecimiento de parámetros acústicos determinantes de la calidad percibida en salas de conciertos y auditorios. Propuesta para su aplicación en los proyectos de nueva planta o rehabilitaciónMinisterio de Ciencia e Innovación http://dx.doi.org/10.13039/501100004837 BIA2010-20523 LA ACUSTICA DE LAS CATEDRALES: UNA APORTACION CIENTIFICA PARA LA RECUPERACION DEL PATRIMONIO CULTURALMinisterio de Economía y Competitividad http://dx.doi.org/10.13039/501100003329 BIA2012-36896 ACUSTICA VIRTUAL.APLICACION DEL PROTOCOLO DE CALIDAD ACUSTICA CON RV, EN PROYECTOS DE DISEÑO, REHABILITACION Y EN ACUSTICA ARQUEOLOGICA DEL PATRIMONIO MATERIALopen accesshttp://purl.org/coar/access_right/c_abf2Reserva de todos los derechoshttp://rightsstatements.org/vocab/InC/1.0/info:eu-repo/semantics/openAccessoai:riunet.upv.es:10251/479862026-06-13T07:49:27Z
score 15.300719

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