Contranarrativas a través del teatro foro: nuestras formas de ser-en-el-mundo
In this article, we intend to develop the complexity of ‘being a Chinese woman’ in the Spanish State through our experiences. Specifically, we embrace autoethnography as a methodological tool for analysis due to its potential as a generator of knowledge located in our racialized corporeality. From t...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/19193 |
| Acceso en línea: | http://hdl.handle.net/10256/19193 |
| Access Level: | acceso abierto |
| Palabra clave: | Etnicitat Ethnicity Xinesos -- Migracions Chinese -- Migrations Diàspora xinesa Chinese diaspora |
| Sumario: | In this article, we intend to develop the complexity of ‘being a Chinese woman’ in the Spanish State through our experiences. Specifically, we embrace autoethnography as a methodological tool for analysis due to its potential as a generator of knowledge located in our racialized corporeality. From this place and under this narrative, we analyse our experiences with forum theater as an artistic-political expression of resistance and counter-narrative, arguing its importance and relevance for a politicized existence of its own, both for and within the community. With this contribution, we hope that the collective path towards sustainability and the reconceptualization of our own history are key to revitalizing the practices and knowledge of the Chinese and Asian diasporas in our context |
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