Voces, imposturas y laberintos en Hombres buenos, de Arturo Pérez-Reverte: el desafío de la metanarración
The article studies how content and form are combined in Arturo Pérez-Reverte's novel, Hombres buenos. In order to do so, the text explains the importance of the author's journalism training to create this metaliterary work in which the conventional storytelling is strongly weaved together...
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| Format: | article |
| Publication Date: | 2017 |
| Country: | España |
| Institution: | Universidad de Murcia |
| Repository: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/54212 |
| Online Access: | http://hdl.handle.net/10201/54212 |
| Access Level: | Open access |
| Keyword: | Metaliterature Metalepsis Autofiction Dialogism Journalism Metaliteratura Autoficción Dialogismo Periodismo |
| Summary: | The article studies how content and form are combined in Arturo Pérez-Reverte's novel, Hombres buenos. In order to do so, the text explains the importance of the author's journalism training to create this metaliterary work in which the conventional storytelling is strongly weaved together with the process of novel making, on the basis of ontological jumps and metalepsis where autofiction and dialogism are used to intertwine real with ctional voices, which produces a story that is, at the same time, a defence of Enlightenment thought and a skeptical re ection on the idea of reality. |
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