Architecture as a no-drawing. An approach to the graphic universe of Juan Daniel Fullaondo
[EN] This article offers an approach to the graphic work of Juan Daniel Fullaondo, based on the hypothesis that his true creative impulse was more intensely manifested in drawing than in built architecture. Through the analysis of his collages, washes, fragments, writings, and direct testimonies, th...
| Autores: | , , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | inglés español |
| OAI Identifier: | oai:riunet.upv.es:10251/225842 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/225842 |
| Access Level: | acceso abierto |
| Palabra clave: | Fullaondo Architectural drawing Collage Graphic representation Artistic expression Dibujo arquitectónico Representación gráfica Expresión artística |
| Sumario: | [EN] This article offers an approach to the graphic work of Juan Daniel Fullaondo, based on the hypothesis that his true creative impulse was more intensely manifested in drawing than in built architecture. Through the analysis of his collages, washes, fragments, writings, and direct testimonies, the text explores the paradox of an architect who never stopped drawing but never considered drawing to be architecture. Far from projective or academic representation, Fullaondo practiced drawing as a form of thought, autobiography, and resistance, in a large and fundamental part of his graphic and artistic production. |
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