Desfile y entremés de figuras en Quevedo y Calderón
This paper analyses the theatrical production of Francisco de Quevedo’s and Calderón de la Barca’s interludes by comparing one of the most significant points of contact of their respective short dramaturgies: the «<i>entremés de figuras</i>» and its different structural possibilities. It...
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| Format: | article |
| Publication Date: | 2018 |
| Country: | España |
| Institution: | Universidad de Navarra |
| Repository: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Language: | Spanish |
| OAI Identifier: | oai:dadun.unav.edu:10171/60287 |
| Online Access: | https://hdl.handle.net/10171/60287 |
| Access Level: | Open access |
| Keyword: | Teatro breve del Siglo de Oro Entremés de figuras Desfile de figuras |
| Summary: | This paper analyses the theatrical production of Francisco de Quevedo’s and Calderón de la Barca’s interludes by comparing one of the most significant points of contact of their respective short dramaturgies: the «<i>entremés de figuras</i>» and its different structural possibilities. It proposes a conceptual problematization of both categories, as well as an examination of its relevance in the development of this dramatic genre of the <i>entremés</i> through the study of the following plays: <i>Los enfadosos, La ropavejera</i> and <i>Los refranes del viejo celoso</i> ‒of doubtful authorship‒ by Quevedo; and the calderonian entremeses <i>Las Jácaras and Las Carnestolendas</i>. |
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