Realidad y creación de mundos: Riddley Walker o el mito devaluado

All narratives are organized according to a similar structure whose origins are rooted in ancient myths and rites. There are variations in the pattern, which do not affect the original structure, but can be meaningful in the sense that they provide clues for the interpretation of reality as seen by...

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Detalles Bibliográficos
Autor: Prieto Pablos, Juan Antonio
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:1985
País:España
Institución:Universidad de La Laguna (ULL)
Repositorio:RIULL. Repositorio Institucional de la Universidad de La Laguna
OAI Identifier:oai:riull.ull.es:915/35228
Acceso en línea:http://riull.ull.es/xmlui/handle/915/35228
Access Level:acceso abierto
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spelling Realidad y creación de mundos: Riddley Walker o el mito devaluadoPrieto Pablos, Juan AntonioAll narratives are organized according to a similar structure whose origins are rooted in ancient myths and rites. There are variations in the pattern, which do not affect the original structure, but can be meaningful in the sense that they provide clues for the interpretation of reality as seen by authors and readers. Fantasy fiction has usually been taken as the narrative least connected with reality. This is not so in a great many representatives of the genre, in which a description —often critical— of a segment of reality is to be found behind the fantastic. In Riddlej Walker, the game of fantasy is marked by a fine irony that contributes to show different levels of interpretation. The general air of the novel is that of comicity, but underneath can be found a criticism of the rules governing our present world through the destruction that it has provoked (the action of the novel takes place in the future) and an attempt to show a new way to civilization, represented by the Punch and Judy show and the forsaking of all destructive sciences.Universidad de La Laguna. Servicio de Publicaciones202420241985info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://riull.ull.es/xmlui/handle/915/35228reponame:RIULL. Repositorio Institucional de la Universidad de La Lagunainstname:Universidad de La Laguna (ULL)EspañolRevista Canaria de Estudios Ingleses Año 1985, n. 11, pp. 125-131;Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:riull.ull.es:915/352282026-06-22T13:13:57Z
dc.title.none.fl_str_mv Realidad y creación de mundos: Riddley Walker o el mito devaluado
title Realidad y creación de mundos: Riddley Walker o el mito devaluado
spellingShingle Realidad y creación de mundos: Riddley Walker o el mito devaluado
Prieto Pablos, Juan Antonio
title_short Realidad y creación de mundos: Riddley Walker o el mito devaluado
title_full Realidad y creación de mundos: Riddley Walker o el mito devaluado
title_fullStr Realidad y creación de mundos: Riddley Walker o el mito devaluado
title_full_unstemmed Realidad y creación de mundos: Riddley Walker o el mito devaluado
title_sort Realidad y creación de mundos: Riddley Walker o el mito devaluado
dc.creator.none.fl_str_mv Prieto Pablos, Juan Antonio
author Prieto Pablos, Juan Antonio
author_facet Prieto Pablos, Juan Antonio
author_role author
description All narratives are organized according to a similar structure whose origins are rooted in ancient myths and rites. There are variations in the pattern, which do not affect the original structure, but can be meaningful in the sense that they provide clues for the interpretation of reality as seen by authors and readers. Fantasy fiction has usually been taken as the narrative least connected with reality. This is not so in a great many representatives of the genre, in which a description —often critical— of a segment of reality is to be found behind the fantastic. In Riddlej Walker, the game of fantasy is marked by a fine irony that contributes to show different levels of interpretation. The general air of the novel is that of comicity, but underneath can be found a criticism of the rules governing our present world through the destruction that it has provoked (the action of the novel takes place in the future) and an attempt to show a new way to civilization, represented by the Punch and Judy show and the forsaking of all destructive sciences.
publishDate 1985
dc.date.none.fl_str_mv 1985
2024
2024
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.none.fl_str_mv http://riull.ull.es/xmlui/handle/915/35228
url http://riull.ull.es/xmlui/handle/915/35228
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Revista Canaria de Estudios Ingleses Año 1985, n. 11, pp. 125-131;
dc.rights.none.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidad de La Laguna. Servicio de Publicaciones
publisher.none.fl_str_mv Universidad de La Laguna. Servicio de Publicaciones
dc.source.none.fl_str_mv reponame:RIULL. Repositorio Institucional de la Universidad de La Laguna
instname:Universidad de La Laguna (ULL)
instname_str Universidad de La Laguna (ULL)
reponame_str RIULL. Repositorio Institucional de la Universidad de La Laguna
collection RIULL. Repositorio Institucional de la Universidad de La Laguna
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