Cervantes y la preceptiva literaria
[EN] The historiography of literary culture often links the Quixote and, by extension, the work of Cervantes with the Preceptive, a theme that perseveringly appears in the curricular studies from the late seventeenth century to the early twentieth century. Not being literary Preceptive more than a n...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/193369 |
| Acceso en línea: | http://hdl.handle.net/10261/193369 |
| Access Level: | acceso abierto |
| Palabra clave: | Dialéctica Doctrina de las unidades Géneros literarios Poética Retórica Preceptiva literaria Cervantes Poetics Irony. Metaphor Tropes Figures Dialectics Doctrine of the Units Literary Genres Rhetoric Literary Perceptive Ironía Metáforas Tropos Figuras |
| Sumario: | [EN] The historiography of literary culture often links the Quixote and, by extension, the work of Cervantes with the Preceptive, a theme that perseveringly appears in the curricular studies from the late seventeenth century to the early twentieth century. Not being literary Preceptive more than a normative version of the Poetics and Rhetoric, this paper examines the possible relationship of Cervantes’ work with the normative aspect of both disciplines, such as they flourished in the sixteenth century and early seventeenth century. The symptomatic example of Juan de la Cueva’s El Ejemplar poético (1606) is explored and the itinerary of three possible relationships is followed: the acceptance or rejection of the current preceptive by the author, the presumed adoption of the preceptive as a set of generative rules of its own creation and the use of Cervantes’ production as an example and lesson for the future preceptive. |
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