Más allá del realismo sucio. Ruido, Nocilla, historia y puntos ciegos en la novela española contemporánea. Desde Mañas hasta Cercas, pasando por Fernández Mallo
This doctoral study focuses on a literary and cultural analysis of contemporary Spanish literature starting from the 1990. Historias del Kronen (Mañas, 1994) and its four sequels, represent a starting point for the analysis, through punk novels that challenge the present, depicted as cyclical, outsi...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | CBUC, CESCA |
| Repositorio: | TDR. Tesis Doctorales en Red |
| OAI Identifier: | oai:www.tdx.cat:10803/668198 |
| Acceso en línea: | http://hdl.handle.net/10803/668198 |
| Access Level: | acceso abierto |
| Palabra clave: | Novel·la espanyola Novela española Spanish fiction Mañas, José Ángel, 1971- Fernández Mallo, Agustín, 1967- Cercas, Javier, 1962- Autoficció Autoficción Autofiction Realisme brut Realismo sucio Dirty realism Generació X Generación X Generation X Punt cec Punto ciego Blind spot Memòria històrica Memoria histórica Historical memory 82 |
| Sumario: | This doctoral study focuses on a literary and cultural analysis of contemporary Spanish literature starting from the 1990. Historias del Kronen (Mañas, 1994) and its four sequels, represent a starting point for the analysis, through punk novels that challenge the present, depicted as cyclical, outside of history. Mañas’s literary rebellion is linked to Proyecto Nocilla (Fernández Mallo, 2013) where the objects become protagonists, and in which time, the perpetual present, is filled with hypertexts. The investment in metafiction in Mañas and Fernández Mallo is linked to the aesthetics of Javier Cercas who, since Soldados de Salamina (2001), has researched the role of the past in the present and has masked the limits of biography and imagination. In this sense, Cercas’s work, extended here to include El punto ciego (2016), and the novel El impostor (2014), is bound to the concept of truth, and historical memory |
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