Fusión de disciplinas en los nuevos movimientos plásticos contemporáneos: joyería contemporánea y arte objetual como híbrido a través del cuerpo
[EN] Did Rebecca Horn know in 1 72 that she had made Contemporary Jewellery with Finguers Gloves? In recent decades a part of Applied Arts have evolved to move towards the plane of the Visual Arts through new contemporary movements. Likewise, the Visual Arts have approached to reconsider the importa...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/107183 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/107183 |
| Access Level: | acceso abierto |
| Palabra clave: | Cuerpo Objeto Extensiones Arte objetual Joyería contemporánea Body Object Extensions Object art Contemporary jewellery |
| Sumario: | [EN] Did Rebecca Horn know in 1 72 that she had made Contemporary Jewellery with Finguers Gloves? In recent decades a part of Applied Arts have evolved to move towards the plane of the Visual Arts through new contemporary movements. Likewise, the Visual Arts have approached to reconsider the importance of the value of use or application. As any living component, these disciplines evolve, metamorphose or mutate among them. In contemporary jewellery, there is a field that crosses the plane of the Applied Arts, diving into experimentation and Visual Arts’ projection. Jewellery/objects interact with the body, defying the laws of ergonomics and application. They established many parallels with others within the Object Art where we can work also with the body as a field of research and experimentation, through the interaction between individual and object. We are in front of works which appear in the body as a performance group that speaks about it. Objects that were born from experimentation and at the same time from a concept, they lose standardized materials and luxury to open a way for some questions about the body. The Contemporary Jewellery and Object Art codes, which provoke this sort of evolving, how do we see this hybrid, which is the line that divides Rebecca Horn’s work with Lauren Kalman’s work, Ursula Guttmann’s work, etc. They are some of the study items that involve this investigation together with a practical project based in the body study and its extensions, and the different ways that we have for interact with it and its environment. |
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