The soundscapes of Baja California Sur: preliminary results from the Cañón de Santa Teresa rock art landscape
This article argues that the recent emphasis on quantitative methods should also include the application of rigorous science-based methodologies for the study of sound and acoustics among past communities. The benefits of including methods developed in acoustical physics have been shown with the ana...
| Autores: | , , , , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Barcelona |
| Repositorio: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/220527 |
| Acceso en línea: | https://hdl.handle.net/2445/220527 |
| Access Level: | acceso abierto |
| Palabra clave: | Pintura rupestre Arqueologia Baixa Califòrnia Sud (Mèxic) Investigació quantitativa Acústica Rocks paintings Archaeology Baja California Sur (Mexico) Quantitative research Acoustics |
| Sumario: | This article argues that the recent emphasis on quantitative methods should also include the application of rigorous science-based methodologies for the study of sound and acoustics among past communities. The benefits of including methods developed in acoustical physics have been shown with the analysis of the rock art landscape in the Can˜on ´ de Santa Teresa gorge in Baja California Sur (Mexico), where the Great Mural rock art tradition was produced. Thanks to a thorough examination of a series of monaural and binaural acoustic parameters, we have been able to conclude that the artists selected the best sonic landscapes in which to create their rock art, both paintings and carvings, especially the latter. We have also been able to demonstrate that the sector of the canyon with a special concentration of two profusely painted caves, Cueva Pintada and Las Flechas, is precisely that with the most favorable acoustic conditions in the whole tested area. |
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