In-Yer-Face Theatre' and the 'Society of Spectacle': The Violence of Progress in Martin Crimp's The Treatment
The Treatment was published in 1993, right aftes the fall of Berlín Wall. The tearing down of BerlinWall signified a transition from the social-oriented type of capitalism which has benn practised since the end of the World War TWO, into a tyoe of capitalism which has benn increasingly based on lasi...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2010 |
| País: | España |
| Recursos: | Universidad de Barcelona |
| Repositório: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/228026 |
| Acesso em linha: | https://hdl.handle.net/2445/228026 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Dramaturgs Teatre Anglaterra Dramatists Theater England |
| Resumo: | The Treatment was published in 1993, right aftes the fall of Berlín Wall. The tearing down of BerlinWall signified a transition from the social-oriented type of capitalism which has benn practised since the end of the World War TWO, into a tyoe of capitalism which has benn increasingly based on lasissez-faire, neo-liberal policies. |
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