Pino Casarini y la escena "
[EN] This text presents the work of Pino Casarini in the Arena of Verona. His work, over forty years of activity, leads to numerous achievements remaining in its essence linked to a single concept of installation defined as amphitheater scenery. It is a vision that accepts and exalts the formal qual...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | inglés español |
| OAI Identifier: | oai:riunet.upv.es:10251/225852 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/225852 |
| Access Level: | acceso abierto |
| Palabra clave: | Amphitheatre Architecture Cavea Scenography 20th Century Anfiteatro Arquitectura Cávea Escenografía Siglo XX |
| Sumario: | [EN] This text presents the work of Pino Casarini in the Arena of Verona. His work, over forty years of activity, leads to numerous achievements remaining in its essence linked to a single concept of installation defined as amphitheater scenery. It is a vision that accepts and exalts the formal qualities of the monument that hosts the lyrical shows, surpassing the previous proposals linked to a type of traditional installation that intended to modify the available stage space. Over time, Casarini s scenography evolves from an understanding of both the problems of operatic representation and the particularities of the arenian scene. The article identifies the architectural operations of the painter s various projects and presents, also considering his own theoretical production, the connections with a contemporary cultural context marked by artistic avant-garde and theatrical revolution. |
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