The colours of Rome in the walls of Cástulo (Linares, Spain)

Wall paintings have become one of the most relevant, complex and challenging research subjects in Archaeometry. Minimally- or non-invasive, accurate and multidisciplinary methods are needed to successfully address the problems posed by their physical and chemical properties and by their analysis tec...

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Detalles Bibliográficos
Autores: Tuñón, José, Sánchez-Vizcaino, Alberto, Parras-Guijarro, David, Amate, Pilar, Montejo, Manuel, Ceprián, Bautista
Tipo de recurso: artículo
Estado:Versión aceptada para publicación
Fecha de publicación:2020
País:España
Institución:Universidad de Jaén
Repositorio:RUJA. Repositorio Institucional de la Producción Científica de la Universidad de Jaén
OAI Identifier:oai:ruja.ujaen.es:10953/3886
Acceso en línea:https://doi.org/10.1038/s41598-020-69334-y
https://hdl.handle.net/10953/3886
Access Level:acceso abierto
Palabra clave:Castulo
Pigment
Wall painting
EDXRF
MRS
Descripción
Sumario:Wall paintings have become one of the most relevant, complex and challenging research subjects in Archaeometry. Minimally- or non-invasive, accurate and multidisciplinary methods are needed to successfully address the problems posed by their physical and chemical properties and by their analysis techniques. Specifcally, the analytical method implemented for the study of this type of samples must enable a precise separation of the chemical information from backgrounds and scenes, allowing the identifcation of pigment’s components in overlapping layers, the detection of minority components and the elucidation of pigment mixtures. hus, this paper puts forward a multidisciplinary approach towards these goals by means of the combined use of micro nergy Dispersive X-ray luorescence (µDXR) surface mapping and single-spot micro-Raman spectroscopy and µDXR analysis. he samples under research come from the site of ástulo (Linares, Spain), one of the most important Roman cities in the berian eninsula. t must be emphasized the uniqueness of the walls of Cástulo, their optimal conservation state and the richness and variety of the colour’s palette used in their decoration, which make them an excellent and representative example of Roman wall paintings.