¿Memoria o historia? Sobre cómo abordar la historia del terrorismo en España a través de la música contestataria
This article is an analytical and didactic proposal on how to deal with the study of the memory and history of terrorism in history classrooms. For this purpose, it is based on a didactic proposal based on cultural studies with a purpose: that students have learning tools close to youth culture. The...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universidad de Salamanca (USAL) |
| Repositorio: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/162899 |
| Acceso en línea: | http://hdl.handle.net/10366/162899 |
| Access Level: | acceso abierto |
| Palabra clave: | terrorism music memory radicalisation history terrorismo música memoria radicalización historia |
| Sumario: | This article is an analytical and didactic proposal on how to deal with the study of the memory and history of terrorism in history classrooms. For this purpose, it is based on a didactic proposal based on cultural studies with a purpose: that students have learning tools close to youth culture. The aim of this approach is to learn about the memory of ETA terrorism and related groups through the lyrics of the alternative and/or protest rock scene groups, close to the thesis of extreme left and/or radical Basque nationalism, and, therefore, to teach students to use the tools of the historian to combat myths and complexify their knowledge on the subject. |
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