Adam Smith’s irony and the Invisible Hand

I reconstruct Adam Smith’s theory of irony and its application. I illustrate how he defines it as a combination of something “grand” with something “mean” and how this is consistent with his anti-Cartesian and post-sceptic epistemology. I suggest that, for Smith, “systems” of any kind, from Cartesia...

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Detalles Bibliográficos
Autor: Cremaschi, Sergio
Tipo de recurso: artículo
Fecha de publicación:2017
País:España
Institución:Universidad Complutense de Madrid (UCM)
Repositorio:Docta Complutense
Idioma:inglés
OAI Identifier:oai:docta.ucm.es:20.500.14352/18484
Acceso en línea:https://hdl.handle.net/20.500.14352/18484
Access Level:acceso abierto
Palabra clave:A12
B12
B31
Adam Smith
Rhetoric
Unintended results
Self-regulating markets
Spontaneous order.
Retórica
Consecuencias no intencionales
Auto-regulación de los mercados
Orden espontáneo.
Historia económica
Teorías económicas
5506.06 Historia de la Economía
5307 Teoría Económica
Descripción
Sumario:I reconstruct Adam Smith’s theory of irony and its application. I illustrate how he defines it as a combination of something “grand” with something “mean” and how this is consistent with his anti-Cartesian and post-sceptic epistemology. I suggest that, for Smith, “systems” of any kind, from Cartesian physics to philosophical monotheism, Stoic ethics, and the “mercantile system” draw their apparent plausibility from some disease of human imagination. I argue that in every field, including political economy, in his view, the philosopher’s task is partially sceptical and partially ironical. That is, it is the task to fight erroneous systems by showing how these arise from unwarranted associations of ideas between apparently “grand” ideas —say, the public interest— with “mean” ones, say, the merchants’ self-interest. In this light, the phrase “invisible hand” turns out to be both an ironic joke and one more application of Smith’s postsceptical theory of knowledge whose target is dismantling all kind of “invisible” entities that human imagination tends to create.